After the Cristero War in rural Mexico, a carpenter must carry the body of his young son across a devastated landscape haunted by the devil.

When mild-mannered teacher Billy Ray Smith (Anthony Edwards) vows to bring a student's kidnapper to justice, he needs a bit of help. Lacking any cowboy skills of his own, he signs on a speedy gunslinger (Joe Pantoliano) and a no-nonsense cowboy (Louis Gossett Jr.) to help. Now, Smith may just have a chance at capturing his man: the merciless bandit El Diablo (Robert Beltran).

Manuel is a lonely young man of upper middle class who lives in Buenos Aires with his mother. Due to a fortuitous circumstance, one day he discovers that his father, whom he does not know and whom he supposes living abroad, is in the country. He decides to go and look for him and on his motorcycle starts a long way south through Patagonia.

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Sofía and her friends suffer an accident on a car trip, having to spend the night in an abandoned house, not knowing that it's inhabited by souls of sacrificed victims.

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A village doctor is involved in a shady business.

How are the sex scenes filmed? What tricks are used to fake the desire? How do the interpreters prepare and feel? Spanish actors and directors talk about the most intimate side of acting, about the tricks and work methods when narrating exposed sex. In Spain the general rule is that there are no rules. Each film, each interpreter, faces it in very different ways.

How are the sex scenes filmed? What tricks are used to fake the desire? How do the interpreters prepare and feel? Spanish actors and directors talk about the most intimate side of acting, about the tricks and work methods when narrating exposed sex. In Spain the general rule is that there are no rules. Each film, each interpreter, faces it in very different ways.